This was a recurring dream for much of my childhood, until I was roughly 15 years old. Even now, many years later, it still creeps into my psyche as flashbacks of the visions and emotions felt at the time and tears at corners of my sanity. It still terrifies me to this day. I’m not big on religion or believing in higher beings or alternate planes of existence, but to this day, it is the experience that likened itself the most to encountering a god-like entity. Something so completely otherworldly and incomprehensible that I cannot explain its occurrence through my otherwise rational, explainable, deterministic vision of the world.
I’ve read through every post on all 9 pages, and some of the accounts I’ve read are shockingly accurate and relate the experience incredibly well.
I’d like to add to this pool of accounts, but by taking a pseudo-scientific approach to the dream and breaking it down as best I can to its barest elements, and build a somewhat coherent logical framework to explain elements of the dream. I’ve not finished writing everything either, some parts are left blank for now.
I believe the existential dread, abject terror, intense panic, physical nausea and complete loss of sense of self stems from two main sources. The inability of the human mind to cope with physical manifestations of the infinite, and the cognitive dissonance of the juxtaposition of deeply contradictory facts.
The Observer:
This is the perspective of the dreamer.
In most cases, there is no physical presence, but a sense of awareness and consciousness of one’s existence in the dream world. The dreamer can perceive and feel the space he inhabits, not through a first- nor third-person perspective, but through an elevated, dematerialised sense of self. Additionally, the dreamer is prone to being in a state of high emotional sensitivity, as is often the case during dream states.
The Space:
This is the plane where the dream unfolds.
It is an infinite space of absolutely uniform colour - blindingly white in my case - which has no up, down, left, right, no horizon and prevents any sense of depth perception and shows no bounds (think along the lines of the White Room in the Matrix (1), Assassin’s Creed Animus loading screen (2), or futuristic world where Squidward is alone (3) - links not working because new account). Despite The Space being infinite, it feels sickeningly claustrophobic.
In many cases, The Observer reports having the innate knowledge that the space is infinite. However I would like to offer a rational explanation for how one comes to this conclusion. Rather than simply “knowing” the space is infinite, I posit that The Observer physically experiences infinity in a deeply unsettling and dread-inducing way for the first of many times in this dream.
How he does so can be explained by looking at how our human brains perceive movement. To do so, we look for one of two things. First, movement of the object itself; for instance the movement of legs marching, even against a static white background, would indicate to our brain a sense of direction and movement. Or second, movement of the background in relation to a static object; think of a train moving - if we fix a camera to a moving train, the background whizzing by would indicate movement.
However, as explained above, The Observer has no physical presence in The Space, thus when moving in it as a formless viewer, there is no movement coming from The Observer himself. This rules-out the first way of perceiving movement. Moreover, since The Space presents no objects that could be used as a frame of reference - just one constant unwavering colour - no background change is observed when moving through it. Hence, movement cannot be perceived in this way either.
This is the big first cognitive dissonance. The Observer has the intimate conviction that he is moving through The Space, but when he does so, it’s as though he is standing still, since no movement is perceived. The Observer rationalises that he exists in some instance of infinity - where it is logically sound that movement should behave in this new way - where moving through infinity is the same as not moving at all. Miraculously, our brain has formulated a nightmarish physical representation of infinity which can be experienced through movement - or lack thereof. This experience is so unlike any other that it forces our mind to twist and contort to attempt to comprehend something so foreign it induces the deep sense of panic and existential dread often reported.
Compounding these feelings, there is an intense feeling of claustrophobia and inability to escape The Space, which is understandable given the explanation above. It results from the lack of perceived movement when travelling through this infinite plane. Even though The Observer is actively trying to move around, there is no change in himself or the background and he feels stuck in place, unable to achieve any motion.
The Shapes
These are the geometric shapes that exist in The Space.
The main feature of this dream. Nightmarish geometric shapes of varying attributes are present in The Space and morph into different configurations of these attributes. I attempt to deconstruct the attributes below.
1. Size, Weight, and Mass
First, let’s look at how the size, weight, and mass of the shapes are experienced, then I will propose an explanation for these experiences.
Unanimously, the most panic-inducing property of The Shapes is their simultaneously microscopic and gargantuan, infinite size. An imperceptibly small shape the size of a pinhead expands to a horrifying monolithic entity of incomprehensible scale, encompassing and filling The Space in its entirety, taking over as the only matter in existence, before contracting again to microscopic size, yielding room for the void of The Space. When The Shapes expand, The Observer intuitively knows that the strength needed to enlarge a microscopic object to an infinitely large size cannot exist, at least not in our human world. When an infinitely large and dense Shape is shrunk down and the infinite amount of energy present in it is condensed into a microscopic vibrating dot ready to burst out at any moment, The Observer cannot content with this given our established and subconsciously understood natural laws. An infinite mass cannot be shrunk to a finite microscopic object. The Shapes’ miniaturisation is sometimes so drastic that they cannot be seen, but their infinitely condensed energy can still be felt by the Observer. The Observer’s awareness of a metaphysical entity that yields this amount of power and is able to expand and contract energy and matter at its will is a deep source of intense terror and awe, further exacerbated by the fact that all the energy and force required for these infinite expansions and impossible contractions is gutturally felt by and forced upon The Observer.
Developing further the idea of this nightmare revolving around the mind having to face physical representations of infinity, we can find a logical, almost mathematical reasoning behind the Observer’s perception of The Shapes and of their energy as infinite, which is the main driver behind the feelings of panic and powerlessness. As mentioned previously, The Observer has gained the understanding of The Space as infinite through his act of motion in The Space but lack of perceived movement. Now comes the second unbearable cognitive dissonance which makes The Observer feel nauseous and terrified: how can The Shapes fill The Space if The Space is infinite?
For this to happen, The Shape must expand to an infinite size in order to fill the infinite Space. This is a paradox – if The Space is infinitely big, the expansion of the Shape into this infinitely big Space will take infinitely long. What unfolds is a relentless and everlasting process of expansion of pure matter and energy into an infinite space. In mathematical terms, two infinite sets can have the same size (for instance the set of positive and the set of negative numbers contain the same infinite number of elements). In this context, The Observer is subject to viewing and experiencing first hand this phenomenon of infinite equality, forced to wrestle with these two infinities melding into each other, forced to feel The Shape growing infinitely and unrelentingly into the infinite Space until it has almost taken it over before repeating the eternal expansion. I believe this is a prime factor in why these dreams cause such arcane, almost mythological fears. The Observer is both physically crushed and consumed by the mass of The Shape expanding infinitely into the space he inhabits, and psychologically crushed by the weight of the realisation of the inconceivable, of the otherworldly occurring before his eyes.
2. Shape
The Shapes themselves vary from report to report. Minuscule dots expand into agonizingly large spheres or monstrous wheels whose gruesome curvature feels all-consuming and absorbs and imbibes both The Space and The Observer with its gravitational pull. Tiny cubes morph into infinitely large ones in which all corners of the cubes are somehow perceivable and form lacerating edges and where the faces of the cubes bring a sense of impending doom in their unflinching and awe-inspiring size, forcing The Observer to submit before their colossal and monstruous scale. Jagged and spikey Shapes emerge, torturing pricking, electrocuting, and poking at The Observer’s consciousness, instilling a sense of deep physical pain and irregularity and unpredictability. Lines stretch out along the infinite Space, sometimes sharply piercing through other infinite shapes, often reported as the least threatening Shapes.
The Shapes sprout out lines both thin and thick at the same time. They meld into each other and with each transformation they change mass and shape. The seamless transition at varying speeds from one Shape to another in no discernible pattern adds to the sense of powerlessness and terror. The Observer is confronted with the reality of these impossible visions, and short-circuits the brain – the amygdala fires and creates a sense of fear, dread, doom and intense anxiety and encourages The Observer to flee, with little success since there is no movement in The Space.
3. Movement and Speed
This feature can be decomposed into two further components: the counterintuitive movement of The Shapes in The Space. and the change of The Shapes from one form to another.
I would suggest that the movement of The Shapes inside The Space is another deeply unsettling element of the dream. Despite what The Observer knows of The Space with regards to one’s inability to perceive movement within it because of its infinite size, The Shapes seems to have a clear sense of direction and motion. This again forces the mind to reckon with a contradiction. If no movement can be observed in The Space in which The Observer is stuck, how can they perceive movements of The Shapes. It’s as though these have transcended the - albeit surreal - corporeal plane of existence where The Observer exists and are able to move through this space on a dimension we humans have no access to and cannot understand. I believe this phenomenon is at the core of why many reports include experiencing a 4th dimension of sorts. The brain tries but is unable to make sense of the geometric and special incongruities it is experiencing. This is a strong factor for why these dreams feel so foreign to the dreamer who feels a slow and terrorizing descent into insanity.
At times, The Shapes stand completely still, but the stillness feels wrong. They go from pure chaos to complete standstill - in the blink of an eye a tiny dot invisible to the naked eye expands to a sphere and overwhelms completely The Space, releasing a grotesque amount of energy.
4. Texture
5. Sound
The Task
The awareness of something not well defined that needs to be accomplished which causes obtrusive obsessive thoughts on solving it but cannot be physically done or even understood.
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