Yeah, seconding the comment about women. It's actually pretty hilarious how much of a manfest it is. Bilbo's mum doesn't seem to exist, and Frodo's mum is casually mentioned to be dead or something. Bilbo goes on an adventure with a big man wizard and thirteen little man dwarves (woman dwarves don't exist) and does a bunch of stuff involving man goblins (woman goblins don't exist), man eagles, man bear mans, and man dragons. Frodo on the other hand gets chased out of Hobbiton by nine man wraiths on nine man horses, with three little man hobbits, none of whom have girlfriends; and after a meeting with a large bunch of important men, continues his adventure with the man wizard, a man elf, a man dwarf, and two man men, the first of whom's mother is dead or something and the second of whom's mother is dead or something. Along the way they encounter many man orcs (woman orcs don't exist) and even some man tree mans (who "can't remember" where the woman trees are), and the story culminates with a huge battle involving thousands of men from Rohan, plus one woman, who pretends to be a man, and Frodo and his beloved "man friend" Sam throwing a ring into a volcano and destroying the giant floating man eye of fire, leading to the crowning of King Aragorn and the dawn of the "Age of Man".
The whole thing is actually pretty bizarre when you think about it, and highlights how much stronger Rowling is when it comes to actually creating a sensible world and characters, rather than a kind of aesthetic, mythological one.
Also seconding the complementary point about how hardly any of Tolkein's characters have any depth or undergo any development. Gollum is the only real exception, with Boromir and Denethor as kind of token exceptions. Again, it's all mythological abstract images, rather than actual characters. And the good/bad dichotomy is just jarring when you notice it. There are the beautiful, shiny, absolutely good characters, and then the ugly, dark, absolutely bad characters, and virtually nothing in between. Rather than creating a proper enemy with some kind of narrative, Tolkein even invented orcs as an entire race of inherently evil creatures basically as a massive plot device, who could be slain with moral impunity.
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