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I concocted a plan to confront LG, utilizing the golden bullets he left me. This is the plan:

Originally Posted by Sam's Paper Journal

Note: this is not a dream.

I'm standing by the Bar in McAnally's, the pub in Dresdenverse Chicago. The building is established neutral ground, and the place is specifically designed to break up magical energies. Its design is broken up into odd nooks and crannies perfect for a dream walk.

I order two beer from Mac and take them, handing Mac a twenty with my right hand as I hold the other two in my left. I thank him and make my way to a nearby table. I set down the beers.

I reach into the right pocket of my jeans, where I put the golden bullets LG had threatened me with. I place them on the table in front of me and look up at the ceiling while sipping on my beer. It tastes like I imagine butterbeer would: rich and sweet. Inexplicable.

"You really expect me to drink this?"

I open my eyes to find the Lunar God eying me skeptically. I relax and take another sip.

"I would have ordered a bottle of Pinot Gris again, but I'm really not in the mood for champagne."

The Lunar God leans forward over the table. "Sam." He says, "No games. What do you want?"

I'm wary of him. "I want to know who you are."

He leans back in his chair, satisfied. I watch the smirk form on his face and settle in for a round of bargaining. I don't forget that those little golden bullets on the table have been used to try to claim my life.

This is the result:

I'm with the Joker in an armoured truck in a scene eerily reminiscent of Fight Club. Now, what could that mean?


You're just a freak, like me!

I'm following two characters and a potential horror movie from a third person point of view. At one point, I accidentally possess one of the characters and take some time off from the plot to... dye my hair. So yeah.

Same location. I'm waiting for my karate class to start. I check my watch, and it's 6:90PM. I guess I'm late. No, wait, this is a dream sign. I look around, confused, because this doesn't really feel like a dream. I pay more attention to my surroundings, and realize that it actually is a dream. I stop to savour the amazing feeling of being lucid.

"I'm dreaming," I say, and I start to repeat it to myself as I move around the dream-world. I'm not feeling very well, so I go to grab something from the fridge (in a place I've never been). I'm craving rasberries. When I open the fridge door, I find clear Yop yogurt containers filled with frozen rasberries. I eat a few.

I'm moving toward the exit when Ben stops me and wants me to listen to a song. It's rap music. I'm not interested, and there was something I wanted to do tonight, so I'm busy. A brief wrestling match with my brother ensues, but I shake him off and run to the exit. A steel staircase leads to a latched window.

I will the window to be open. I crawl out and latch it behind me.

I remember that I wanted to go to McAnally's to meet with the Lunar God character. I stretch a hand out in front of me and will the dream to dissolve. I close my eyes briefly, but when I open them, the green grass and concrete and sun are still there. Energy continues to swirl around me. I close my eyes again, and push through the dream-fabric.

When I open my eyes again, I can't see anything. Everything is dark, though coloured energy swirls through the space to break up the monotony. There seems to be a slight tear in the dream, so I move toward it (zooming closer, not walking). I drop to my knees and feel for the wooden door that I'm sure should be there. I imagine the texture, feel for iron handles of the closed door. I visualize the grain of the wood that should be there, the glass that is set into it.

"Open the door," says Mac, rolling his eyes. "We keep them open while we're open."

I stand up and dust myself off, looking at the four pointed star mounted on the door, just above my eye level. Did I create that?


The dream star was more ornate.

I shake off the strange feeling and move to the bar beside the door. This isn't anything like I'd imagined the place to be. The wood is darker, glossier, and everything is more streamlined than I'd expected.

"Two beer." I say to Mac. I dig through my pockets for the twenty that should be there, but I only find a bunch of change in my right pocket, where the bullets should be. Loonies, toonies, quarters. I apologize for paying in change, and I give him the $20 pile of change, minus the six loonies I need for LG. I consider that since we're in Chicago, I should have given him American money. I let my hand hover over the pile of change, and will it into American bills. The money flickers and I see paper. I'm not sure if it worked.

Mac waves me off, and I grab the beer and my loonies, setting them both down on a round wooden table near the bar.

"Aw, you don't need to do that," says a voice, "You already paid for drinks."

"These aren't coins," I say, turning to look at what I think is the Lunar God. He's younger than any incarnation I've seen before. He grins in understanding and takes a seat.

I take a sip of the beer. It tastes like Pilsner.

There's a third person at the table, whom I never acknowledge. Her (?) presence seems shadowy, dark, barely there. I think it's Elaine.

A girl comes up to LG and asks if it's okay if she leaves with someone.

"Yes." says one of us, before LG can comment. We kind of need to talk to him.

Unfortunately, LG's very presence seems to destabilize all dreams, and I can't remember a damn thing after that. Including whether I still have the bullets.

Failed Interrogations. Scare Factor: 3. Reaction: I need a new plan.[/QUOTE]

I'm drinking. A lot. At a bar. I'm wondering if it's Saturday night and I missed the meetup with Vicki. I see Matt and Jen from High School on the other side of the bar, and debate over whether I want to talk to them. I've been drinking things like rum and coke all night, and now I've moved onto Pinot Gris. I guess. It tastes like champagne.

I'm in the backyard of the Ixburg Inn, having been ordered to clean up the scaffolding houses by my dad. I notice movement in another yard, a brief dark flash. I watch the roof of a nearby building for another sign of it. There's a dirtbiker up there. My mom and I watch him ramp from that roof an impossible distance over the highway. He lands badly, but that was supposed to happen. He's fine.

At a fair, I argue with Gus about something. I'm Shawn Spencer, and my dad (Henry) is around, too. The fair has a layout suspiciously similar to the backyard I was just in.

As myself, I put the truck in park, turn off the ignition, and raise my hands slowly. I'm turning toward the man in the passenger seat, who is happily delivering his Hannibal Lecture while pointing a gun at me. It's a revolver, I notice.



He explains to me that the time I was born can be flipped backwards to show the time it is right now. "You see," he says to me, "This time is the antithesis of your birth."

"Yes, that's very poetic."

I'm ordered out of the truck. I keep my hands up as I follow his orders, stepping onto the green grass in the backyard of my house. I know that there are kids inside the house, quite possibly my cousins. At this point in the dream, though, I think they might be mine.

I try to bargain with the man, but I know that he's going to kill me. If I resist, he says he'll kill everyone inside, but I can't be sure that he won't do that anyway. We circle each other over the grass. The man tells me that these bullets were specially made for me.

Don't I feel special.

The gun wavers for a moment, and I take my chance. I lash out with a kick to his wrist, then grab for the gun. I pick it up and aim at my tormentor. He raises his hands and grins, daring me to do it.

I can't. I empty the revolver of the gold bullets. They spill to the ground, and I scramble for the six of them. I stumble backward as the man laughs. I step inside, latching the glass patio door behind me.

"Go downstairs," I order my cousins. "Get one of the adults to call 911. Ask for police!" I shout at their retreating backs. I move through the house, locking and bolting the other two doors shut.

"So..." says my uncle, "We're safe as long as we don't go outside."

I consider the patio door, how easily the man could get in. "We're safe." I lie.

"Wait," I say after a beat, "Has anyone called 911?"

I curse and grab for the nearest black portable phone. I dial three numbers. "Hello, I need police at -" Silence on the other end. I glance at the display and read 901. Great. I'm wandering down the stairs at this point, redialling the number repeatedly to no effect. I see a flash of the man, laughing. I consider that he might have cut the phone lines.

"Does anyone have a cell phone?" I shout into the basement, frustrated and panicking. I begin redialling numbers on a blackberry no one gave me. 090. 901. 109. 119. My frustration reaches a peak -

And I realize that this is always what happens in dreams. I look up the stairs to the side door, reasoning that I fell asleep in my bedroom and there's no way I could actually be here. I walk up the stairs, touching things (the bannister, the wall), feeling the texture in order to solidify the dream. I'm worried about waking up. I unlock the door, open it. When I step outside, it's dark, and there's a layer of snow on the damp ground.

I move toward the street, making footprints as I go. I look up to the night sky, which is clear and filled with stars.

"Go to the moon," I whisper aloud. "Go to the moon."

I stretch a hand out in front of me, willing a portal to open, for something to happen. A pulse radiates outward from my hand, blurring everything briefly and circling behind me. I can still see the stars. The dream dissolves.

I'm in some kind of afterlife realm, filled with ribbons and people and flying. I'm attached to the colour yellow, which I hate. I try flying, but can only achieve a delayed falling effect.

LG's Got a Gun. Scare Facter: 4.5. Reaction: Lucidity!

I did the faux-math LG was trying to tell me about. Apparently I'm supposed to die next week. Saturday-ish.[/QUOTE]

Three weeks without missing a day and suddenly something interesting happens on the weekend.

A man is holding me and two other woman captive. We're being kept in the employee section of a motel in Ixburg, and though I pretty much wander around as I do in other dreams, the women who are with me are terrified.

I'm left alone in the laundry room, which comes complete with all the stuff involved in running a motel. I idly search through needle-nosed pliers and other vaguely pointy things, before I pull a box cutter from the cleaning cart on the west wall. I use the pliers to pry the safety-features from the knife. I hear footsteps. The man walks into the room.

I have him pinned to the wall with a knife to his throat before he can blink. I can feel the savage grin splitting my face as I call to one of the other women. Lucy - long, curly brown hair - is standing down the hallway, looking nervous. I tell the man not to move; I won't hesitate to cut him open.

"You wouldn't dare."

"Oh, I really, really would."

Lucy hands me the phone in lieu of phoning 911 herself. I'm wondering if she can still speak.

"They're not going to believe you," says the man. "They're going to think you did this."

I ignore him.

"Amy speaking."

Confused, I ask, "Um, this is 911?"

"Yes."

"Wait, Amy?"

"Sam? Is that you?"

I break myself out of my reverie. "Amy, I need police -" I glance at Lucy, "and an ambulance at the Ixburg Inn." I briefly explain the situation.

"Phone number?" Remembrances of the first aid course I took.

I list off the phone number for the motel, as I remember it.

The man laughs. "It's been a while since you've lived here, hasn't it? We changed the phone number!"

"I gave them the address!"

The man may or may not have lived to stand trial.

Really Mad Hostages. Scare Factor: 3.

Actually, I'm pretty sure he did live, considering he was following me through a museum later on. Any tips for dealing with in-dream stalkers? Anyone?

Originally Posted by Samael

I really haven't been lucid much since I've joined DV. Odd.

I'm in an afterlife version of downtown Quickton, wandering is separately from a group of people. There are at least four people here, but only one that I'm dealing with directly. I'm my female Lucifer character, and a female character is my main focus. I am, quite benevolently, her guide.

I look at the United Church. Cross streets on crosswalks. Generally being a smartass. There's a slight orange filter over everything.

Driving with the group, trying to retrieve something. The ground turns to water. Trying to swim out with buckets. There's a girl with long, blonde curly hair and her boyfriend there, trying to stay afloat with the bucket they're carrying together. Quite a bit of leather between them.

I'm myself, near an approximation of Quickton's high school. There's a lot of concrete. I'm dropping off something for my brother, Ben. I'm driving away down a dirt road when my car stalls, and won't start again. I put it in neutral and coast it down a dip in the road, out of the way. I get out of the car, take a shortcut through someone's house, nervous that the owner might catch me. Back yard, hallway, kitchen. Enter from the west, leave through the south. I have been here before.

I'm an old woman sitting in the third or fourth car of a train. I have the car all to myself. It's cozy, and I'm sipping tea. Bored now. I climb out of a window on the side of the car and haul myself onto the roof. Jump over the other two cars, after curiously investigating the occupants, and greet the driver in the engine. She's looking off to the side, staring at something out of a window. I demand to know what she's looking at, because it might be important. She points, and I guess she's talking about my car.


Ninja Grandma!

I jump from the train without waiting for it to stop and walk through the dark green grass to the orange-lit streets. Traffic is backed up, though people are surprisingly patient. I walk to the very front of the traffic jam, and climb into my car.

I'm a little girl, Alice, and I'm being forced to drive the car by my father/uncle/evil stepfather. I keep adjusting the seat so I can see properly. Driving down a highway, then down a hill under a tunnel in a city.

Wandering through a grand manor full of rich red and orange hues to find my character sitting on the balcony. She looks extremely depressed, but it might actually be a spell. The other characters are concerned.

We're in a cute little house on a hill, all pastels and green grass. I'm either the male or the female main character. Both are magic-users/witches/wizards. The family is almost identical to the Dursleys. Petunia has immaculately permed hair, Dudley looks like Harry, and so does Vernon, really. Except older. I'm aware that Vernon has been making deals with a minor demon/god who, in his true form, looks suspiciously like the Cheschire Cat.

A conversation with the family ends with us being locked in the cellar. I'm a Mia Wasikowska version of Alice, unrelated to the Dursleys. I doubt I've ever met them before. Harry and I plot our escape.



Later, I'm trapped at the kitchen table with Petunia and raspberry jam. Petunia's put on a veneer of politeness (while Harry is still in the cellar), using teatime as an excuse for an interrogation. Petunia doesn't think it's fair that our people keep secrets from her and her family* when the Dursleys are very obviously involved and in danger. Dudley lets us know from the door that Vernon is coming up the hill.

Vernon isn't alone. He steps into the house, perfectly blank in every way. An old man in a bowler hat walks calmly up the trail. He's a dead ringer for the man from a previous nightmare. Or God.



Petunia rushes to Vernon, asking what's wrong as Vernon stands motionlessly as a doll. I keep my attention on the man in the bowler hat, and nod slowly.

"The Lunar God," I say.

The man laughs and says yes, that's him, and Vernon's been dealing with him for quite some time.

He's given up control to you, I say quietly. For everything.

Well of course, but he didn't tell Vernon that beforehand. That would be a poor way to attract followers.

And then I wake up.

Alternate Perspective Disorientation. Scare Factor: 3.

I always wake up when I meet that character.

*She has a point.

Spring 2008

I'm in my grandmother's old office. Shift. It's dark, and I'm surrounded by beautiful, frightening living statues made of shadow... twisted, slender, lethal. I want to remember them when I wake up, because they're mine.

The office space gives way, and I'm in the basement of my old house. I'm waking up, still surrounded by the last traces of my shadow-creatures. I'm trying to remember them, listing their traits aloud. Onyx. Jet. Shadow. Cat-like, bat-like, tribal, sharp, angular. They wouldn't have been out of place on a tattoo, if they weren't so real, so dynamic.

I hear a scream.

From upstairs. My mother? Why am I in the basement? Everything is hazy and dream, and my reactions are sluggish. I stumble through the basement and away from my dream-room. I reach the base of the stairs, which, oddly, are not located where they should be. The only light is coming from upstairs. I look up. There is a man standing there.

He's old, unremarkable. I wouldn't recognize his features if I saw him now. He's small, but not in any particular way. Not overly short, not overly skinny.

There was a scream from upstairs, but now, it's all about me. Because the man is stepping down stairs toward me, and I'm just standing there. There's no screaming - it's so quiet - and I couldn't move if I wanted to. And I want to move.

I'm rooted to the spot, affixed by an unbreakable bond to the dreamscape. I can't flex my muscles or flail, because it's not about my feet. I am stuck, immobile, immovable.

And the old man is walking down the stairs, unremarkably. Not sinister or threatening, but I need to get away. Because something horrible is about to happen.

And he reaches the base of the stairs and I haven't moved because I can't, although this is my last chance to rush him, to push past him onto the bare wooden steps.

He's standing in front of me, and of all my will, the only thing I can do is push two words past my lips, "No, please" and it's barely more than a whisper, because nothing's moving, and I haven't thought about drawing breath.

And the old man looks at me, his expression unremarkably pleasant. He places his hand on my forearm -

End.

First Appearances. Scare Factor: 9.

I'm not sure what it was about the dream that freaked me out so much. But I couldn't be alone in my apartment once I woke up. Not in the dark. It was something like five in the morning, and the Tim Hortons beside the building was open. I threw on clothes and nearly flew down the stairs. I ordered a hot chocolate, and a bagel, and sat with my back to a wall where I could see every exit, I and waited for the sun to come up.