Recent DJ Posts

I'm looking over the meat at a butcher's stall in an outdoor market, examining it very closely. The butcher's explaining something to me, but I'm not really listening - I've come to the conclusion that this isn't what I'm looking for. I duck underneath where some of his larger cuts are hanging and into the alley on the other side. I can hear him shouting at me, and Dieter saying something to him, but I'm not paying attention. The trail of what I'm looking for is much clearer now.

I walk into a house. On the floor beside the bed there's the dead body of a very large man, with rats swarming over him. The rats' behavior is unusual but familiar to me. They scatter when I come closer. Behind me Dieter asks, "Is it plague?" Plague wouldn't affect either of us directly, but it's still something to be concerned about. He came in too late to see the unusual way the rats were swarming. I don't answer him - I'm focused on something I can feel hidden in this room, somewhere in the chest of drawers. I make some comment about how the dead man had had a family, and "Three charms. One for each."

Talking to someone about "the 40." They're a group of heroes in Scotland, technically real historical figures but their story's become more like a legend, involved in a conflict with the English. Although they're regarded as heroes, I'm thinking that their story was crucial in creating a bad future for Scotland.

(Woke up. Back to sleep.)

I'm digging through a drawer filled with various small objects and papers, searching for something. I'm talking to myself out loud, saying "She'll turn this too into one of her charms." Charm as in talisman. There's a woman - the owner of the things I'm searching through - who suffered some setback, as a result of which some object that belongs to her is temporarily in my hands. I meant that she was going to turn that separation itself into her advantage. As I search through the drawer, I uncover a small skeleton of a creature with sharp teeth, no larger than my thumbnail. Another one of her charms. I'm thinking she was likely told this was some wondrous creature - it isn't.

(Woke up. Back to sleep.)

I'm in a mountain forest with Dieter. He's holding some large dark-furred animal he's killed - we've caught three of them in a row - and we're talking about the quality of the hunting here since the humans abandoned their village. You'd think that would only improve the hunting, but there's something I'm worried about. When we mention the village I see an image of it, on a hillside with a large body of water in the distance, and I think about something that's been bothering me ever since a conversation I'd had with someone in that village. I say to Dieter now, times have changed - we haven't changed with them. We should. I should have set him free centuries ago and set him up with whatever he wanted. I've been selfish, not thinking. He ignores this and tries to steer me back onto the topic of hunting.

(Woke up. Back to sleep.)

Semi-lucid - aware this is a dream but not enough to affect my actions - I'm approaching a certain building by a narrow path between two hedges out back by the gardens. There's somewhere else I was heading, but a little boy intercepts me and tells me there's some message for me in the house.

(A memory gap.)

On the grounds of that same estate, right at a tall hedge that serves as an important border between here and the next place, there's a little girl crouching on the ground and a woman next to her. The woman's plain and tired-looking, with brown hair that looks darker because it hasn't been washed. The little girl is blonde and sort of bossing the woman around in some game they're playing. She wants to join in on something going on beyond the hedge, but she's not allowed, so she's playing here and waiting for her chance. I immediately recognize the girl as Julia's daughter, she resembles her so closely, and I ask the woman some questions to try to confirm that hunch without asking about Julia directly. The woman says to something I ask about the girl's mother, "You don't have to tell me that," mistaking my question for rhetorical and irritated about it, irritated at the mother's behavior. This makes me realize that while yes, the girl's mother is Julia, this woman is also the girl's mother - she's Julia's wife. I'd assumed she was a nursemaid, I'm deeply embarrassed.

A man's telling me something about Alice in Wonderland when he's attacked and killed by these enormous crows. We're in his apartment. One of the crows lands on my shoulder and looks at me, and I'm feeling very exasperated with it.

I'm the same man I was in the previous scene but now with a head like a crow - which I definitely didn't have in the previous scene - and I'm standing in front of an older crow-headed man who's sitting on the floor in these elaborate robes. He's telling me he can't help me, and says something about "the 40 visions."

(And this last one is one from two weeks ago that I didn't bother to write out properly. The pen & paper dream journal fell open to it just now and the Alice in Wonderland theme caught my eye.) There's a scene in Alice in Wonderland where Alice is trapped inside the mouth of a crocodile. A boy pulls its tail to make it open its mouth, and she runs out. Now someone's tried to recreate that scene, but the girl playing the role of Alice was too scared and wouldn't move. I shove my way through the kids to get her out, and somebody gets their arm bitten off. (I wrote down who, but I can't read my own writing.)

Beach. A lot of people. Two groups. My cousin's co-workers and the CHARMS group. I don't see my cousin, so I joined the CHARMS group.

Bus. Homebound with sis. Manapla. Circled back. Bacolod. Lasalle. PATAS. An office. Psych students. A psych professor defeats the president GMA ina writing test. Jasmin returned to the office.