Blue_Opossum

Morning of September 23, 2016. Friday.



I am in the Loomis Street house in the living room. It seems to be late morning (as the room has a natural light source coming in through the east and south windows). Zsuzsanna and our youngest son are also in the room. There is a bed that extends out from the south wall of the living room (where there never was such a feature in real life). Oddly however, it is meant to be the holographic projection of a television show.

I approach the bed from the left (west) side. In it, on her back, head oriented south, is an unfamiliar female with a matte gold face. I get the impression that it is a hospital bed, though I am uncertain of the situation or the status of the female’s health. I am unsure of what genre this “movie” is.

I absentmindedly find myself reaching out to touch the left side of her face even though I firstly see it as an intangible hologram. It is as if I am testing an expectation to “make something real” or to “bring something out of a projected image or picture” (which has occurred in numerous dreams since early childhood).

Some of her “skin” moves out from her face to wrap around my hand with a feeling much like bread dough that moves under its own will. This “dough” moves around through my fingers with no sense of wetness or stickiness; just a smooth, soft feeling as it slides comfortably over my skin. I find it fascinating and talk about this with Zsuzsanna and Oliver. Oliver finds it somewhat amusing. Upon looking at her face, I notice that it unrealistically sags so that her mouth is much lower than it should be. Her eyelids also appear to have expanded to flow down over the rest of her face so that there are no discernible eyes. Perhaps this is a science-fiction “movie” we are watching on “television”. I touch the left side of her face again (the previous “skin” seeming to have become a part of my own hand) and a larger piece of “dough” wraps around my hand, almost snakelike (though not disturbing or annoying in any way, just a bit curious). It again smoothly crawls between my fingers, around my wrist, and about my forearm. I place it in a heap on the floor next to a plastic container.

I explain how I am able to take things out of pictures, even though I have no lucidity. I say how I can take money out of a picture or television broadcast, though this comes with a recurring dream backstory related to how I do not want to create duplicates of bills (which are numerically unique), though coin duplication does not have this concern. I have a small plastic container with compartments. I find myself sitting on the floor with Zsuzsanna and Oliver, moving two-dollar Australian coins from one compartment to another, some compartments seeming to be “in another world” and resulting in my moving them into “this world” even though there is no indication of either a picture or an implied “portal” or which compartments are implied to be in which “world”. It simply appears as a plastic box with coins in different compartments. There are also very small Lego pieces mixed in with the gold coins, including miniature swords.

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This last part was visually precognitive. Oliver was actually working with Lego pieces (including small swords) in a plastic container with compartments soon after without any way of me knowing that this is what he would be doing at this time.

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The bed is a dream state indicator (the most obvious one possible) and my waking transition is sustained.

Other than the typical short-term prescience, there seems to be a link to Zsuzsanna related to sharing sentience within the dream state (as otherwise unknown females in some dreams have an autosymbolic connection to Zsuzsanna, especially in regarding the bed DSI as here). It also seems influenced by a movie we had seen prior to sleep, where a female expected to die becomes conscious (without a medical explanation) and seemingly healthy after a group of people pray for her (“The Genesis Code” from 2010).

Variations of yellow and gold typically symbolize sentience, intellect, and instinct as analogous to sunrise and dawning conscious awareness.

Coins in a dream as a collective rendering relate to three main concepts; coalescence (dream self flowing back into whole self), a play on “cents” (sense), and a play on “change” (which may be a play on the waking precursor in “changing” from the skewed dream self viewpoint and identity to the whole conscious self viewpoint and identity).

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