Verre

Ritual: WTB 2am, woke up after a couple hours and strapped on the Motivaider, timed for 30m intervals. I woke up again after what I thought must be at least an hour and hadn't felt any vibrations. I decided that my awareness was not sufficient tonight to continue, removed the device, and went back to sleep. But apparently this process created an anchor for the idea of lucidity, because in my next sleep interval I became aware of lying in that intermediate state between sleeping and waking and went through the motions of getting up into a WILD. However, in retrospect it is clear that I was already dreaming at the start of this experience, so it was not a genuine WILD but a dreamed WILD (hence DWILD). It was 5:45am when I woke from the dream.

DWILD, "Another rainbow": I am lying on the flat surface of a wooden table as though it were a bed in a large, strange room with a distant, domed ceiling. I feel groggily half-asleep, but notice the distinctive sensations in my body that make me wonder if I'm close to the dream state. I start playing with it as I would when inducing a WILD, attempting to roll and rotate my body while avoiding real physical movement. When I find myself face down and succeed in getting up on my hands and knees, I'm sure that I'm sufficiently integrated with my dream body to get off the table and explore the dream—and given that in retrospect I know was dreaming all along, it is apparent that the sense of difficulty that I experience as I carefully maneuver myself into a standing position, similar to what I experience in real WILDs, must be wholly a mental fabrication.

My awareness is still low and initially lacking in agency, so I go along with the dream narrative for a while. The space in which I find myself is strange and hard to describe. There's a kind of reflective dome above me that rotates and shifts to reflect different parts of an upper floor or balcony. The dome moves until it is showing a distorted reflection of what looks like an early twentieth-century radio, one of the elegant ones in a large wooden cabinet. I am aware that seated up by the radio there is an older man who owns this place, and I am his guest. After this is a scene in which someone tells my brother that if he wants to get along with this man then he should take up shortwave radio as a hobby.

Then a bunch of us are seated at a long table for a dinner party. [Source: Order of the Phoenix was on TV last night, and it has a number of scenes with people seated at long tables.] Plates are served and they all contain huge sandwiches. The older man that I saw in the balcony earlier is picking disinterestedly at his sandwich and asks where the other food is, the stuff that had been simmering in the crockpot. My brother, who had put together the food, says that it will be coming up as the next course. I'm seated directly across from the older man, who I think of as our "host," and can tell from his expression he doesn't want to eat the sandwich. I decide to be helpful and comment loudly: "That's a huge sandwich! I couldn't eat all that even for one meal." Although this is true, my intention in speaking was to save face for the other man by legitimizing the option of leaving the sandwich uneaten while waiting for the next course.

After the sandwich course, we take a break from the meal and everyone who was at the table, about a dozen people in all, are standing in another room. The host is there, and a bunch of vague random people I don't recognize, as well as DC versions of my brother, mom, and dad. For some reason, maybe because of the lull in the narrative, I finally remember my intended task, the leprechaun TOTY, as well as how I had planned to accomplish it. My chief difficulty in previous attempts had been that once I managed to create the necessary rainbow, I got thwarted in my attempts to seek the end of it. As I had earlier been pondering this difficulty, a straightforward solution, perfectly obvious in retrospect, finally occurred to me: why not create the rainbow such that it ends right in front of where I'm standing?

"Okay everyone, we're going to play a game, kind of like a party game." I smile at the host and add, "It'll give you time to digest before the next course." I reach out and pat his belly, an oddly familiar gesture given that the DC did not scan as anyone I know in WL. [Possible source: yesterday I was doing research related to Budai, the so-called "Laughing Buddha," and rubbing his belly is a recognized ritual gesture. But the DC did not in any other respect remind me of Budai.] I complete my announcement by telling the group: "We're going to make a rainbow!"

The room we are in is walled entirely with glass on two sides, like a skyscraper, and I recognize that this clear view of the sky will be helpful for the task. I'm slightly more concerned about the fact that we're three or four storeys up, which means that if the rainbow ends here and I start digging through the floor, I won't actually be digging in solid ground. I remind myself that it is silly to maintain these kind waking life assumptions in the dream state. It can be solid ground if it wants to be, or maybe I can find the leprechaun in the room below us. Dream is nothing but malleable, so I really don't need to be this finicky.

I continue with my instructions to the group: "What we need to do is hold hands and create the end of the rainbow right here." I gesture to indicate the patch of floor in middle of our circle of people. "Then we'll go through, fight the leprechaun, and take his gold." I look around to gauge the response and decide the DCs need a little more incentive. "We can split the money," I add, and am pleased to see that this perks up their interest.

We join hands around a large circle. I feel that my shirt cuffs are too long and and getting in the way, so I have to break off and fold them up in order to get proper skin contact with the people around me. Once again I wonder if I'm being too finicky. Probably. Even the hand-holding seems like overkill, but I thought it might help us join our focus on the same goal.

My assumption had been that the assistance of the DCs would help my own confidence and focus on the task. This idea was probably based on my last rainbow-making dream, when I really did feel like I benefited from the help volunteered by the little girl. But this group of DCs is not helping at all. Like typical adults in a social setting, they are only marginally interested in my unusual party game. While I'm trying to concentrate on making a rainbow, the others are getting distracted and starting to chit-chat among themselves. This is distracting me in turn.

"Quiet!" I rebuke them sharply. "No talking, please. I need you to concentrate. Focus your intention." I figure they could use a reminder of the goal of our task: "We're going to create a rainbow"

Periodically I've been glancing out the windows to see if a rainbow is visible in the sky yet. This time I notice that the weather has changed. The sky is grey and a steady rain is now pouring down. Rain, well, that's halfway to a rainbow, isn't it? I let myself be encouraged that the environment is showing some response.

I continue attempting to focus, and the DCs continue to stand around without helping much. They're quieter after my reprimand but still distracted, and I have the impression that they don't seem to know how to focus their intentions properly. This is exasperating. What good are dream characters who don't even know how to interact with a dream? My mom starts speaking and I almost raise my hand to swat at her, irritated by yet another interruption, until I realize that what she's saying might actually be helpful. She is commenting on the light, how it needs to filter through the water particles a certain way to create a rainbow.

I had never intended to create a rainbow with meteorological accuracy, but hey, since it's already raining outside, we might as well give it a shot. If we can just get the right sort of light, it might encourage our expectations in a way that will make this easier. You know how when it rains and then you see the light break through the clouds, and you wonder if you will see a rainbow? That's the expeirence I was now trying to recreate. I look out the window and sure enough, in one direction bright sunlight is now alternating with the dark clouds. Very well, the rainbow can come from that direction.

Once again I concentrate, reminding myself that rainbows consist of light broken into the spectrum of colors. I think I almost see them in front of me, faint and translucent, but I can't tell if I'm only imagining them until the DCs all break out into "oohs" and "ahs," and saying things like "amazing!" I smile triumphantly, amused that everyone is acting so impressed after their earlier disengagement.

(While it seems odd to make the above distinction between something that "happens" in a dream and something I'm "only imagining," given the many times I have attempted to complete some task by imagining the outcome and it has not tangibly manifested in the dream, some such distinction seems warranted, if much less clear and stark than the difference between imagining and experiencing in waking life.)

It is a bit odd to try to look at a rainbow head on, from immediate proximity, but I do see a faint shimmering band extending from the lit quarter of the clouds to the floor right in front of my feet. I remind everyone that creating the rainbow was only the first step. "Now we have to dig through the floor." I start scrabbling at the smooth wooden boards, trying to imagine that the floor is soft and that my hands can scoop it up like clay. I feel everyone watching (no one else is trying to help) and their expressions are dubious. If merely creating a rainbow surprised them, imagine the skepticism they must feel watching me try to break through solid floor with my hands! I wonder if I can better align the expectations of the onlookers if I use some sort of tool to dig with, but I can't think of what might be handy.

This time it is my dad who speaks up with some advice: "The location of the floor isn't localized on the floor." I don't understand what he's trying to tell me, and I don't have long to think about it because I feel myself waking. I lose the dream and lay still for a few minutes, feeling to see if I can DEILD, but no, my body is fully awake now.

Ritual: I'm coming out of my longest dry spell yet, but it was clearly a problem of motivation. Even when I had the superficial motivation to LD (I always do), the deeper motivation that makes it actually work was thwarted. In time I came to recognize the reason for this. At the end of last semester I started talking to a colleague that I knew was very interested in dreams. Even though their interest had been shaped by Freudian principles, I ventured to reveal my interest in (and practice of) lucid dreaming in the hope that we might have an interesting dialogue across perspectives. Well, the colleague promptly stopped talking to me, and I was so annoyed and embarrassed that it took a terrible toll on my dreaming. Not just lucidity—even the quality of my NLDs and my ability to remember them faded drastically. And even after I finally diagnosed what was causing the problem, I couldn't seem to dismantle the emotional block. I would just get irritated whenever I thought about it. I think this combined with the natural cyclic tendencies of my dream practice—I have too many interests and hobbies so all of them seem to wax and wane at various points to make room for one another—but hopefully my dreaming is now on the verge of a comeback. I can't think of a better New Year's resolution.

I went to bed early last night (11pm) hoping that would help to get lucid, and for good measure spent some time browsing DV. I woke up a few times during the night and it seemed like it was going to be a bust, since I barely had any dream impressions. But the last dream I had before waking (at around 7:45am) was lucid and controlled and clear, if not ultimately successful in completing my intended task.

DILD, "Making Rainbows": I was in a warehouse-like space with tall shelves crammed with every imaginable object, though everything looked old and used. I was having a conversation with someone about the place, though I don't feel like there was anyone walking with me; I think I was speaking aloud, but the other person was answering in my mind. I was observing that many of my own dreams (the comparison suggests that I did not yet recognize this as my own dream) included environments just like this, crammed full of objects, often taking the form of stores, libraries, archives. I proposed the hypothesis that these kind of object-archives were a metaphor for the mind, for the way it stores impressions or information. I wondered if I could put that idea to the test. (This idea suggests that I did recognize that I was in a mentally-constructed environment. What did I think it was, if not my own dream? Maybe the dream of the person I was talking to.)

This next section is ambiguous in that I can't be sure if I had the name and was looking for the object or holding the object and was looking for its name or shelf location, but it was definitely a matching exercise between object and name. The object was a tool of some kind, flat strips of somewhat oxidized metal bent into a particular configuration with a short chain attaching some sort of polygonal fastener. It vaguely resembled one of those old metal spring traps, but not exactly, and its function was unclear. I had never seen or heard of such a thing, but I learned that it was called a "streng." I either got the name at the outset from the voice I was talking to and then found the object, or (and I think this is more likely since I have memories of holding the object as I walked), picked up a random object and then had to find out its name by looking for its shelf. But this is a false dichotomy... dreams don't always divide so neatly between what, in waking light, seem like the logical possibilities.

At any rate, I was putting the idea of this warehouse as a kind of memory archive to the test by trying to match an object with its name. The mental effort took, I reasoned, as long as it actually took me in the dream to find the shelf. Given that it sometimes takes me a day or more to recover some sought-after piece of information from memory, this doesn't seem too far-fetched. I'm sure my archives are, like my physicial spaces tend to become, terribly cluttered with extraneous matter, making it hard to find anything. I actually commented at one point, looking at all the crap on the shelves, "I can't stand to throw anything away." But the details that make this whole exercise less plausible as a valid hypothesis of mental functioning was the object itself: neither the name "streng" nor the metal object it described corresponded with anything in waking life. The whole process seems at best to have been metaphorical.

After this improvised task was complete, I wondered what to do next and remembered, sinced I'd just browsed DV before bed, that I still had a couple unfinished TOTY. At this point it occurred to me that if I'm now taking conscious control of my intentions and the dream environment, I must be lucid, but it didn't feel like there had been any qualitative change in my mental state. Rather, the difference between being non-lucid and lucid seemed in this case to come down primarily to whether I was acting spontaneously within the structure of the dream (as in my former task) or whether I was accessing memories and intentions that I had earlier established with waking consciousness.

I wondered if I should try basilisk or leprechaun, and decided on the latter. Its no wonder that I'm stuck on these last two. I think I have a mental block against leprechauns because my mental imagery is composed primarily of cheesy cereal commercials; maybe that's why I have yet to actually meet one. Meanwhile I keep avoiding basilisk because it explicitly instructs killing DCs, which I am reluctant to do. I have no problem killing NPCs in RPGs and computer games, or experimenting with different ethical alignments in those environments, but dream feels different, like the stakes are higher. I'm not sure why. At any rate, given the options, I went with leprechaun again.

Would it be possible to create a rainbow indoors? I thought it over and figured that in dream, that should be entirely reasonable. And even though the shelves in this warehouse were only a bit over head-high, the ceiling itself was vastly higher overhead: the space was huge. So I started trying to conjure a rainbow. At first nothing happened. I put my hands together in front of me, touching at the sides with the palms up, and tried to use this as a focus to create a rainbow directly from my hands, arcing upward. I managed a weak one a few times, but they quickly fizzled out.

A young girl, maybe eight years old with blonde hair, noticed what I was doing and approached with an offer to help. "Sure," I said. I don't remember exactly what form her help took, she might have just added her concentration to my own, but with it my rainbows were getting better. I managed to make one finally that had bright colors, though there were only four of them and they were oddly separated into tube-like strips resembling neon lights, and shining with the same fluorescent intensity. Good enough for the task? I gazed at it critically, annoyed that there were only four colors. In response, the second tube from the left split down the middle and became two different colors. Good enough, I figured, and started looking for the end of the rainbow. But then that one flickered out, too.

Every time a rainbow failed, I regrouped and tried to improve my concentration. The four-color failure made me realize I needed to focus on what the colors of a rainbow actually were, so I started chanting them as I concentrated: "Red orange yellow blue indigo and violet...." I had a hard time keeping them in the right order, and after I woke up I realized that I had completely left out "green," an interesting difficulty given that while awake, I can easily and accurately recite the colors of the rainbow without a second thought.

The little girl continued in her role as my assistant, and now that I was working on the getting the colors straight we managed to produce a bright, very proper-looking rainbow. Best of all, it touched the floor right in front of us, so all we had to do was dig, presumably, to find the leprechaun and his gold. But no sooner had we rushed up to the spot than the rainbow disappeared again. This was getting annoying.

Just then I became aware of a commotion in the building. We were now standing outside one wide entrance to the warehouse, which opened onto what looked like an atrium of a shopping mall, still an enclosed space but walled with plate glass windows. People were rushing over to the windows in excitement, and through the windows I could see the people outside down below (we were around four storeys up) moving in the same direction.

The view through the glass looked out over an urban street and the row of buildings on the far side, beyond which the city ended at steep brown hills of nearly barren rock and earth. Everyone inside with us was pointing and staring at the hills, or hurrying outside to get closer to them, and the moment I looked out the window I could see why. An extraordinary rainbow had spontaneously appeared outside, and its end was clearly visible where it touched the side of one of the hills. The rainbow actually resembled the four-colour neon one that we had created earlier, but this one was exceedingly large and bright.

The hills were probably at least a mile away and too steep to climb by foot, so I knew I would have to fly. I started pushing out the large square glass panes in the wall above me, wondering if this was the most efficient way to leave the building, or if I should just walk the thirty yards or so to the exit everyone else was taking. (The exit occupied the space to our right that had formerly led into the warehouse, which was no longer visible.) The exit led onto a sort of sky bridge that crossed the road, so it would also be a fine place to take off from. I chastised myself for wasting mental energy deciding between trivialities and decided to just continue with the window.

After pushing out four panes to make a larger square, I grabbed the girl's hand and asked, "Have you ever flown before?" She shook her head. "Well, hold on tight." I levitated both of us up and through the space I had made. I did not feel physically obstructed by the metal frame that criss-crossed between the four panes of glass I had removed, though I felt a bit annoyed by the way I had so blithely floated through it. It felt careless. I mean, why bother taking out the glass at all if I was just going to pass ghost-like through the frame? I realized that again, I was letting myself getting bogged down with unnecessary and unhelpful mental baggage, but I've never felt comfortable "cheating," even in dream.

We flew high over the street and buildings bordering the city, and I realized how startling the experience of flight must be to someone who was unaccustomed to it. Indeed, the girl felt very tense at my side, and murmured plaintively, "I want to sit down." I felt it would be cruel to ignore her terror, so as soon as we cleared the city, I aimed for a flat outcropping of rock at the base of the hills. We came down fast and landed hard, much harder than I had ever landed when flying on my own, so I attributed it to her fear weakening my own buoyancy. As soon as we landed, I asked her, "Are you alright continuing?" She shook her head and I prepared to take off on my own, but even as my feet left the ground I felt myself waking up and was unable to forestall it.

A woman and I are running from a pursuer, another woman. "Faster, faster!" the first woman urges me. "Don't look back, it will slow you down." I don't see why I have to run away, but fine, I'll play along... I do look back, however, and I'm surprised how close the pursuer is. This motivates me to try to put some distance between me and her, so I run harder... and yet I can't seem to make much gain on her. I'm perplexed: I know I should be able to do this, I'm dreaming, it's not like I have to rely on my physical stamina. I wonder if the answer is in running with more short strides rather than trying to cover more distance with each step, much as one is advised to run in WL, so I try out variations. I'm making progress, but concentrating so hard on my running form is becoming tedious. "Imagining running is almost as hard as the real thing!" I comment to the woman fleeing with me. Getting bored with this situation I decide to put an end to it, and succeed in sprinting ahead to the point where I can turn a corner and leave the pursuer's field of vision, at which point I figure I've made a fair escape.

However, it turns out that my pursuer had an accomplice: I now find myself in a struggle with a huge brawny man with a shaggy brown beard. I perceive him as a Viking, and I'm aware that his name is Torvald. He is connected somehow with the woman who was chasing me earlier, and is likewise an antagonist. Our struggle manifests partially as a kind of combat, but it feels as much like a battle of dream control as a physical battle.

I easily resist Torvald's initial attempts to subdue me, but his immense confidence makes me wonder if I should doubt my own. I go on the offensive and try to put him out of action more permanently, trying various tactics to destroy his body. For instance, at one point I imagine his body being crushed by a great weight from above, and although this has him stretched out supine on the ground for as long as I'm actively thinking it, he is soon back on his feet. I try crushing his heart and throat from inside his body, but he is only briefly inconvenienced.

I wonder if fire would do the trick, and visualize Torvald's body burning to ash. Though I've said nothing aloud, he appears to understand my intentions, and rather than actively resisting like he did with my other attacks, he simply denies the efficacy of this approach. "Fire won't work," he tells me flatly. I refuse to acknowledge this and continue contentrating on the image of fire consuming him. "Fire won't work," Torvald tells me again. I'm thinking: how could this be? It's my dream, isn't it? Fire should work if I say it should work. So I redouble my focus on the fire. With patient indifference, Torvald insists: "Fire won't work." I find this disconcerting, because apparently my confidence is unable to overcome his. Aren't I the dreamer? But there is no time for philosophical questions; we are still in combat. I switch tactics: if he is resistant to fire, how about ice? I start to try to freeze him—even if it doesn't destroy him it might at least slow him down temporarily—but Torvald has found the opening he needed and pins me to the ground.

Torvald's inexplicable ability to ignore my attempts to burn him makes me wonder if I should worry that he could actually harm me. But I have a superpower too: as the dreamer, I am invulnerable... aren't I? I decide to play it safe, and secretly project my "real" identity to the roof of a nearby building. It is a large square brick structure about 8–10 stories high, and I crouch behind the low brick railing that surrounds the flat roof, tempted to peek out at the combat occurring down below but not wanting to let Torvald see me and discover the trick. So I transfer my perceptions back to my body on the ground, which I now regard as a mere DC, and thus disposable. If my attacker succeeds in destroying this body, it won't matter: I've secured my identity elsewhere. Torvald actually glances up toward the roof when I think this, and I quickly realize that I need to guard my thoughts as well.

"Do you have someone watching me?" Torvald asks. I am relieved, because although he suspects that there is an observer on the roof, he hasn't seen through my whole trick—he doesn't seem to recognize that the person up there is actually me. I project a new thought toward him, gleefully: I recall how undercover police have been tracking him, and that I've been using our encounter to distract and delay him until they were in position. Maybe none of this was true earlier, but it doesn't matter: this is a dream battle, so it is true now! When Torvald looks back down at me, I grin mockingly and deliberately call him by the wrong name, "Harald," just to annoy him further. The game is up, and my undercover officers move in and force Torvald to release me. I'm not sure what happens to him after that... pleased with having solved the dilemma, I simply walk away.

What's next? The last incident was not one that I had intended, but now I'm free to work on tasks. I enter a wide clearing and wonder if I should try the Dragon Age task again. I've always liked the idea of aligning dream space with fictional environments from books, films, or games, but I'm still trying to figure out how to do it. I suppose the first step would be to remember a concrete environment from the game and try to insert aspects of it here. I played DA:I just last night, so I should be able to access those memories... but as I seek them out I feel a tremor of dream instability, and decide not to push it. If there's a risk of waking, I should put that task off until later. For now, there are still a few TOTMs I haven't tried this month, and I decide to work on those.

"Taste a rainbow." That one is easy to remember. I imagine a rainbow in the sky, and produce something very faint and not at all rainbow-colored. The colors are largely ochres and earthtones, and not even in proper lines but arranged in a more tesselated pattern over the arch. I'm not being a perfectionist at this point, so I accept this as a "rainbow" and shrink it into a stick of candy in my hand. The colors have changed in the process, and for some reason the candy stick is white with swirls of red and blue. Still not rainbow-colored! But I take a bite. The texture is interesting, lots of little pieces that crunch between my teeth, but the flavor is a real disappointment: vague, muted, and blandly sweet. Apart from "sweet," no other descriptors really present themselves. This won't do. A rainbow should taste more unusual than this! I decide to start over.

This time I put more work into the rainbow itself. I first visualize it, then focus on the faint transparent arch until it becomes more clearly visible, but this also has the consequence of making it more material. Now it appears like a physical object, a two-dimensional vertical banner in an arch about ten feet high and twenty feet long, right in front of me. I work on correcting the pattern so that it has rainbow colors in properly aligned stripes... I see some improvement, although it is a C+ effort at best. It looks better than my last attempt, anyway, so I approach the "rainbow" and try to take a bite directly out of it. The experience is like... chewing on a shower curtain. It really feels like I've put a sheet of plastic in my mouth, although the material is soft enough to crush between my teeth. Again the texture is more prominent than the taste. I put all my attention on the flavor, trying to detect anything describable, and think maybe I get some underlying fruity notes, but again it remains vague and uninteresting. Taste and smell are the least developed of my dream senses... I wonder if I could improve them if I worked at it?

I feel like I have adequately completed the task, anyway, and wonder what to try next. In all my efforts with the rainbows I had hardly paused to note all the people sitting at various tables around this clearing, like picnickers, but observing them now, I figure it might be fun to try the magic show. What would a stage magician do? I guess the most basic tricks involve having something up one's hat or one's sleeve? I notice that I am completely naked, which has long since ceased to embarrass me in dreams, but gives me a mischievous idea.

"What's up my sleeve?" I start circling among the various tables, challenging the audience members to come up with a response. One of the first responses is: "Following a guy from Eton to [...]?" (I forgot the second place name.) This answer reminds me of the earlier scene, and how I resolved the conflict with Torvald. This DC must have been one of my officers! "Are you an undercover cop?" I ask him in reply. He grudgingly nods. "Not anymore!" I'm joking about how he has just blown his cover, but it also feels like an appropriate analogy to my own lack of sleeves... I'm not "undercover" either.

I continue asking, "What's up my sleeve?" and collect various other responses from the audience, all of which were non-sequiturs... but I reasoned that the illogic of the question itself (since there was no sleeve) invited such creative responses. After hearing from seven different people, I realized that I might have trouble remembering all this when I woke up, so I stopped and went over their answers again, one by one, to help fix them in memory. Already I had trouble recalling two of the answers, but one of the DCs helpfully reminded me, additionally pointing out that the answers varied between the metaphorical (things that never could go up a sleeve) and the literal ("Three shekels" was one of these answers, I think). Meanwhile I was getting ready for the grand finale to my show, when I would reveal my own answer to the question. I had been planning on the groaningly obvious "Nothing!" and was ready for the big reveal when I noticed that something had changed... now I was wearing clothes, including a short-sleeved shirt. I realized that if I was going to go for the groaningly obvious at this point, I would have to answer "My arm!"

I felt myself start waking up, and I already had a lot to remember and report so I didn't resist the process. I woke up slowly enough that I was able to concentrate on those seven answers from the DCs and hold them in mind, with what felt like excellent clarity and accuracy. And then something happened... as I crossed the threshold, despite all my care and preparation, the memories abruptly tattered, the details dissolving. The only one of the seven answers I could still remember, and that incompletely, was the first—and that I suspect only because it was anchored by its reference to the earlier scene.