Verre

Ritual: WTB 2:30am, after a little over four hours of sleep I strap the vibrating alarm to my wrist, set for 35 minutes. When it goes off it wakes me very definitely. I lay still and try to DEILD but can feel that REMA is broken. Turn down vibration strength to minimum, note time at 7:20am, and try again... same result. Remove alarm and go to sleep normally. Next time I wake up, try again with better success... at the time thought it was DEILD but realize now it must have actually been a DILD because I was not in my WL bed, so it must have been FA rather than real waking.

DILD-DEILD: I wake up and remember not to move. I am lying on my right side, but I am in a bed in my grandmother's house. Momentarily I wonder why I am there, but "remember" that I am visiting her. Oddly, in retrospect it feels like my lengthwise orientation—the directions my head and feet were respectively pointing—was also the opposite from how I sleep WL, and that the bed was on the opposite wall, sort of like the whole room was a mirror image of my WL bedroom. But since everything was in the same relative position to everything else, I'm not sure where that feeling came from.

I try to DEILD and at first I'm convinced I'm physically moving but REMA seems intact so I relax and explore my sensory awareness. Finally I just start to rock back and forth, until I feel confident enough in my dream body to get out of bed. The door to the hall is open, and on the other side I can see the living room, lit up by a Christmas tree with beautiful golden lights. I know it is my grandmother's house in Texas and don't realize that she hasn't lived there for years.

My awareness is fairly low all around and I don't recall my tasks either. Aimlessly I go outside and spontaneously a magnificent chestnut horse canters up to me, already saddled. I used to ride a lot in Texas so it is probably the result of mental association. I caress the shoulder of the horse and put my left foot in the stirrup, barely able to reach that high as the animal is quite tall. I start to pull myself up and into the saddle but I lose my balance and get "stuck" with my right leg halfway over. I waver there with my left leg in the stirrup and my right in mid-air, somehow unable to complete the movement. Finally I force it with an act of will and get astride the horse, but it doesn't feel right, the proportions are all wrong. The mental dissonance wakes me (although I am now convinced this too was an FA).

FA(?): On waking, I review the dream and recognize my mental error in thinking that I had been visiting my grandmother's old house and that it was Christmas-time, but I thought I was at least correct in the position of the tree, and remembered seeing in that spot one year. Now that I am fully awake, I have my doubts even about this: my "remembered" layout of the house was all wrong, and I don't think I ever even visited at Christmas time.

DILD-DEILD: I didn't think REMA had broken yet so I tried to DEILD again, and there were some ambiguous successes that I don't recall well (I still suspect the whole thing was a DILD, and that even most of the "transitions" occurred entirely within the dream state).

At some point I am back in my WL house, and I open the front door to go outside. After the stunt on the horse I wonder if the door will impede my progress and, probably in response to my thought, I discover that after I open the first door panel there is still a second one to go through, but I try not to cause unnecessary obstacles for myself and go through the second door easily.

It is very foggy in the front yard, and it is also a wide grassy area with scattered trees rather than a busy suburban street. The fog is making everything vague so I go for the tried and true, "Clarity now!" I shout it a few times and the dream responds, a bit sarcastically overdoing it. Now everything is too sharp, almost pixellated. I can see white and black birds with incredible definition in their pattern and plumage, but the focus is too sharp to look comfortably real. This is preferable to the earlier fogginess, however, so I go along with it.

As so often, I start instinctively singing as I explore the landscape. My voice is somewhat annoying this time, high-pitched and overly sweet, and there's nothing especially beautiful or memorable about the melodies I'm coming up with. It sounds like the sort of singing you'd hear in a mediocre mid-century musical. But I stick with it, hoping I can use it to influence the dream.

The landscape is pleasantly pastoral in all directions now. I am walking in an open meadow, and there are scattered trees here and there. I can't see any other figures, and I decide things would be more interesting if I could interact with a DC, so I decide to request one. I sing something about the "view," and then in the next line ask the dream to "send someone to talk to..." — and hesitate, having botched the lyrics. If I could end the with line "to you," it would have proper meter and rhyme, but obviously I wanted the DC to come talk "to me," so I tack the word "me" awkwardly onto the end of the line. It sounds so stupid that I break character and laugh at myself.

I give up on the singing and make my request again with a simple act of will. This works much better, and at once I can see a woman—of a sort—approaching me. She has a human torso but the lower part of her body is that of a large serpent, like a naga, and she resembles Medusa in having snake-like strands instead of hair. While I contemplate her unusual appearance, a second such creature shows up at her side. The face of the second one is thinner, with high cheekbones, attractive even, and her snake-hair is asymmetrically coiffed like elaborate dreadlocks. I find her appearance so striking that I want to complement her.

"I like your... arrangement." It comes out awkwardly because I realized mid-sentence that "hair" wasn't the right word and had to choose another one, but I'm not sure if she'll understand. "I mean your snakes," I explain hurriedly, hoping I'm not inadvertently being offensive by naming them as such. The naga I'm addressing studies me with a twisted expression, like she's not sure whether to be flattered or irritated.

I converse with them for a few minutes but unfortunately I can't recall what we discussed. Then they ask me for a favor: will I go up that hill nearby and tell their father that they're working on the project? It sounds like an innocent request, but I sense that there is something sinister behind it. I suspect that this is a ploy to lure me into their encampment, where I will be taken captive. As I hesitate, pondering their motivations, I can actually feel the pressure of their minds against mine, like they are attempting to work a subtle enchantment to compel me to go. I lash back mentally, and they both recoil.

Now the veneer of friendliness drops, and the two nagas become openly hostile. I don't feel like getting dragged into a fight, so I instinctively put an end to the situation. At the top of my voice I shout wordless syllables that sound like a whiplash or thunderclap—"Kuk-KAH!"—and clap my hands together at the same instant. The two nagas vanish into thin air. I am satisfied with how well that worked, but feel a faint pang of concern... I hope I didn't destroy them; I only meant to remove them from my presence!

The dream ends at this point. I wake up and start report around 8:45am.

Ritual: This was my third experiment with the vibrating alarm. Again it was successful, though in a somewhat inexplicable way. I had intended to get lucid but slept from 1:00–6:20am, and realized when I woke it was too late for a proper WBTB. So I used the vibrating alarm, set to go off in 45m. It was 7:19am when I awoke again, so it must have triggered, but I never felt the vibration at all this time. I had an NLD I don't clearly recall, and then a DILD—in which I simply became aware that I was dreaming, with no particular RC or "aha!" moment. The lucidity was low-grade, though, in that I never remembered the tasks I had intended to work on.

DILD: I found myself in K&L in San Francisco. (This is a real wine store that I like, but the dream version had no physical resemblance to RL.) While browsing I noticed all the good food in the cases—fresh food, like slices of cake on plates, ready to be eaten—and reflected on how amazing the food culture is in SF that you can even get great fresh food in a wine shop. There was a tray with samples of wine, generous pours of about two ounces in full-size glasses, and another tray with samples of a variety of little cut bars and pastries. As I began eating and drinking, the impression dawned on me that I was dreaming, but I felt that I was not fully integrated. (This must have been dream logic; I was already deep in dream so there was no question of integration, but apparently what I was sensing was that I was not fully lucid.) I thought that using my senses would help, so I was focusing on the tastes and textures and even the sounds that occurred as I sampled the various confections. I wanted to find one that was more savory than sweet. A couple pieces were green in color, which seemed promising, but they turned out to be more dessert-like than I had hoped. I was amused to notice how I was behaving with dream protocols: if I didn't like a piece, I would just spit it out and leave it on the tray, an act that would be incredibly rude and disgusting in waking life!

I thought after I got better integrated I should go explore the dream—wasn't there something I was dreaming about earlier, a wilderness landscape, that it would be interesting to get back to? I recollected it only vaguely. But first I wanted to try each of the food samples. The very last one I tasted was savory after all, and had a kind of bi-layer construction with a spicy-savory mixture sitting on top of a nest of dried coconut strands—it was my favorite, and I wished I could get the recipe.

Nearby was a little display box full of pamphlets or maybe even CDs about nuns, and as I leafed through them I saw that they broached the question: do nuns wear their habits even when they are locked away together in their nunneries, or do they, like Muslim women, remove their head coverings when at home? I felt that in waking life I knew the answer but now I couldn't remember. I thought about it and considered that the tradition of nuns covering their head must be related to similar phenomena in related cultures and places, such as the way women have to cover their heads when attending a Russian Orthodox church service. I figured it probably did have ties to the tradition among conservative Islamic women to cover their heads. I concluded on this basis that nuns would indeed remove their wimples when alone among themselves. (In retrospect I'm pretty sure I wrong, but I can't say with absolute certainty. The only Christian nuns I've met don't wear habits at all!)

Earlier, when I had decided that I would go explore the dreamscape after I was done here, as if in direct response to my thoughts a horse had promptly cantered up outside the shop and stood there waiting for me. (If only my human DCs were so obliging!) Now that I was finished eating I went outside and prepared to ride away. The horse had been completed tacked up when he arrived—excessively so, I had thought, as he seemed to be carrying bedrolls and other long-distance gear—and when I mounted he had definitely been wearing a saddle because I distinctly braced my foot in the stirrup and held the pommel to get on. However, no sooner had I started riding away than I felt I was slipping around a bit and was surprised to discover that this was because I was riding bareback. Oh well, it will be good practice. I remembered how some people say that LDs can help you practice RL skills, and I figured that I could certainly use some practice improving my seat and position, so I decided to focus on that for a while and see if it paid off in this week's lesson.

I still felt we were in downtown San Francisco but everything felt old-timey. Even the cars looked like 1920s models. Fortunately there weren't many of them, because I was moving through the city at a canter. I realized how unrealistic this was: in RL I would hesitate to stress the horse's legs by cantering on hard paved streets, and I definitely would not cross intersections without stopping, like I was doing now, but since I knew I was dreaming I felt it would be okay. Crossing the street still felt dangerous as there were sometimes cars coming, but there weren't too many of them and they were going slow enough that we were able to dodge one another. I was cantering because that is the gait where I need the most improvement on my seat and position: I was focusing on trying to keep my legs long and heels down, with my core on, back straight and shoulders back.

We cantered right out of the city, though I was paying so much attention to my form that I didn't have much to spare for my surroundings. Just as in RL I noticed the tendency for my legs to creep up and my torso to lean forward at the canter, so I was trying to counter these bad habits and reinforce good ones. At some point I finally halted the horse, and I worked on trying to do that properly as well, keeping my seat deep and using my weight properly. The dream ended around this time, as though by halting the horse I halted the dream.