 Originally Posted by Threeofeight
The awareness ´issue´ is the easiest to tackle for me. Basically a painting has a basic overview and a limited array of details that you can conceive of. Unless you go down to the molecular level of the painting. But in any case it is easy to imagine zooming in on a particular point of view and zooming out to it´s overview. In most cases awareness is locked into some amount of detail. But it´s nice to be aware that it is so. It is frankly impossible to be aware of every process going on everywhere that you can think of both in the outside world and inside in the memory and thought process.
Oh, you've provided an excellent way for me to better frame my process using that example. Focusing attention on any particular section of the painting, no matter how you cordon sections of it off (sections encompassing only a few millimeters, a 10 cm x 24 cm rectangle, a 40 cm x 12 cm rectangle, or the entire painting itself) into what I'll refer to as "chunks", it results in limiting your awareness of the rest of the painting but significantly increasing the level of awareness directed toward that specific chunk Trying to look at just one chunk (again, keep in mind the entire big picture overview qualifies as a chunk) therefore winds up providing no benefit to this exercise and may actually be detrimental to staying mindfully aware.
Since you are reducing your awareness of things like what it feels like to be your body, your posture and position in relation to the things in your environment, where you are and the environment itself, the sounds of things around you, etc. by focusing on that one thing, it makes you prone to returning to auto-pilot. Or, in situations of altered consciousness, like when dreaming, it results in forgetting what you were doing, where you're at, opens up the possibility of the environment suddenly changing on you, makes you prone to false memories, and feelings/sensations of being in the middle of doings things that don't actually pertain to what's going on (these things can be entirely random), and as a result lead you to lose lucidity and go back to having a non-lucid dream experience.
How can we counter this phenomenon? Well, trying to consciously force yourself to be aware of several things at once without any kind of established process is an overwhelming and ultimately futile effort. What I do, if over-simplified, is actually to be aware of several things at once. However, I don't it entirely consciously and there's no brute force involved. What I've done is establish a habit that's resulted in a mostly unconscious, automatic process and I only consciously direct my awareness and focus my attention in a very kind of passive, methodical, "soft" and flowing kind of way. When I try and to visualize the process to give it some form and understand it in a more... well, psuedovisual context (I don't necessarily see anything in particular so much as experience the concept in a way that feels visual but isn't necessarily--what I'm guessing this does is helps give me a more intuitive understanding of the process itself, while sparing the language centers of the brain some cognitive load by offsetting some of that to what I guess would be the secondary visual cortex, the mind's eye), it seems like a multi-tiered or semi-bracketed web of specific things I want to anchor my awareness to that my consciousness sort of flows through and along performing mostly real-time checks without that much cognitive strain.
By things I anchor my awareness to, I mean like trying to keep track of how it feels to be in my body (and from there it's understood I need to be paying attention to my feet, legs, butt, back, shoulders, neck, arms, hands and individual fingers, and pretty much all my facial muscles--I choose to pay attention to my fingers but not necessarily my toes, along with so much of my face because these parts of the body have greater concentrations of sensory neurons), what seeing myself in the first person is like, what certain things in the environment look like, what people are doing, the sounds, etc. The anchors themselves usually encompass broader "chunks" of things because when I first realize I should practice being mindfully aware, I have to perform a conscious scan of what's going on and consciously pick out anchors. The anchors are broad chunks because, as I mentioned with being aware of my body, I can unconsciously/intuitively understand the additional, smaller detail things that broader chunk encompasses.
From there, as things are going, you can easily and quickly identify and monitor newer anchors as needed. Now that we've discussed picking anchors and everything, we need to go over the part you consciously have to do. As I mentioned before, when imagined "visually", these anchors are connected in a sort of tiered/bracketed complex yet naturally intuitively formed web based on the type of sensory organs are involved (vision, hearing, tactile sensation, and proprioception are processed by different parts of the brain and the way the web I visualize connects is different based partly on that), and the levels of detail you're trying to be aware of. All you have to do consciously is monitor the unconscious "managers" of the anchors you've delegated most of the cognitively draining control to and keep them in line and from slacking off. Along with that, just keep an eye out for new things you need to create managers/anchors for, integrate it in (which for me is seamless), and if nothing that new is happening, try and experience some of the perceptions you're experiencing in a different way--this gives the managers some busy work that helps keep things interesting, novel, and helps stave off the propensity to switch to auto-pilot.
I know it sounds terribly convoluted, but so much of what I'm doing is something I'm performing unconsciously that it's actually pretty simple once you work out what to do.
|
|
Bookmarks